Doylestown House--The Stove
In 1917, when he had been photographing for only a few years, Charles Sheeler embarked on one of his most important—arguably his best—series of photographs, a group of studies of a simple 18th-century house he shared with the painter Morton Schamberg in Doylestown, Pennsylvania. Although Sheeler, like his roommate Schamberg, was trained as a painter at the Pennsylvania Academy of the Fine Arts, he learned how to photograph in 1910 in order to support himself. The copy photographs that he made for galleries and private collectors such as Walter Arensberg brought him into contact with some of the most advanced art of the period. In addition, his frequent visits to Alfred Stieglitz's gallery 291 f...
Gelatin silver print
Image and text © National Gallery of Art, 2020
Where you'll find this