Portrait of Gustave Geffroy
Portrait of Gustave Geffroy is a c. 1895 painting by the French Post-Impressionist artist Paul Cézanne. It portrays Gustave Geffroy, a French novelist and art critic noted as one of the earliest historians of Impressionism.
Background In March 1894, Geffroy wrote a sympathetic article in the periodical Le Journal praising the work of painter Paul Cézanne who until then had received little praise in critical circles. Mutual friend Claude Monet arranged for a meeting between the two in November of that year which ended abruptly due to Cézanne's oft-noted erratic behavior. Nonetheless, Geffroy continued to write favorably of Cézanne, believing, "He is a great teller of truth. Passionate and candid, silent and subtle, he will go to The Louvre." Cézanne expressed thanks in letters to Geffroy in the months following their meeting and, in a display of gratitude (and possible feeling that Geffroy understood him), he elected to paint Geffroy's portrait.
Legacy Cézanne was unhappy with the painting and it was never finished, yet Portrait of Gustave Geffroy became a popular retrospective work after his death. Cubist painters were interested in the geometrical dimensions of the bookcase and perspective of vast table space in relation to the rest of the pictorial space. Geffroy noted that Cézanne painted the entire canvas at once, leaving the face and hands for last; they were ultimately unfinished. The portrait has been described as angular, with the figure of Geffroy centered as a pyramidal or triangular figure, and surrounded by shelves, books and figurines complementing and converging on top of his profile. The multiple angles of perspective, particularly with the books both in cases and on the table, have been noted for their "zig-zag" effect on the viewer, creating movement within the painting.
The portrait has been noted as the continuation of a recurring Cézanne theme: people in their natural environment, reserved and unimposing, immersed in their everyday tasks. It has also been compared to the earlier Portrait of Duranty by Edgar Degas, from which critics have speculated Cézanne drew inspiration.
The painting was donated to the French state in 1969 by the family of collector Auguste Pellerin and is on permanent display at the Musée d'Orsay in Paris.